House Vinyl New Releases

Mark Funk and Danny Cruz's Cruise Music label continues to offer-up the best of its digital-first EPs via the popular Vinyl Jams sampler series. There's a real sun-splashed, dancing-on-the-terrace feel to much of the music contained on this 14th volume in the series. Mark Funk steps up first with the loopy, filter-rich disco-house release of 'Never Never', which rises and falls in all the right places in search of hands-aloft action, before Makito drops the vibraphone solo-laden deep house-meets-garage-house flex of 'Heavy Vibes' (think Masters at Work collaborating with Roy Ayers and you're close), Over on side B, Danny Cruz serves up 'Sugar', a tooled-up, house-style re-edit of a joyous disco gem, while Filth & Smell's 'Panama Sweet Spot' is an electric piano and sax-loop-fired slab of thickset house funkiness.

2024 WHITE VINYL REISSUE

2026 Repress
White label smash of Cassius & Pharrell's album track Go UP.
Exclusively played by Solomun & Butch on the white Isle.
Vinyl Only Release!

Tony Price returns with NAME?, a new LP on his Maximum Exposure label delivering 10 tracks of red-hot house music realness.

Following two releases in 2025, the brutalist cybernetic jazz reveries of Requiem for the Ontario Science Centre and the ferocious machine funk of Street Theatre, NAME? keeps its crosshairs aimed straight at the dancefloor.

NAME? showcases Tony’s undying affinity for the sound of New York City and New Jersey house: Tony Humphries’ cybernetic gospel dubs, the crude, Todd Terry-style 12-bit hip-hop explosives, the cracking garage swing of early Strictly Rhythm, Mood II Swing and Masters At Work, the psychotic bleep-funk bombast of the Bomb Squad, and the deep, ecstatic machine soul pioneered by the likes of Blaze and the Burrell Brothers.

Produced in his Greektown studio in Toronto using an array of drum machines and samplers, these recordings are pure Tony: rude, crude and elemental. House music stripped down to its core principles and defining primordial textures. No nonsense, no junk, no varnish, no nothing. Just the funk.

This is somehting Kano's and die-hard italo-disco fans will definitely
appreciate. Kano's "Anothern Life" is finally remastered and repressed on limited-edition white vinyl for the first time since 1983 and out on FullTime Production.

This LP consecrated the fascination of italo-disco, which merged disco, funk and synth pop.

This is demonstrated by a song like "I Need Love", where we immediately recognize the classic elements of synth pop (thus merged with the rhythm and the funk voice of the charismatic voice of Glen White. So "Mad In Love" and "Dance School", where you can already recognize all the grooves that will one day be other followers who have taken, to recall the name, a direct lesson from this "school". Kano surely influenced a whole genre of new European dance acts.

"Another Life", a single now immortal for lovers of the genre, certainly
felt the influence of another genre, known as space disco, a short Eurodisco vein. So "Ikeya Seki", which is not a tribute to the East
like the later China Star (typical of the aesthetics of many bands of
this early 80's), but a very suggestive instrumental piece whose name
derives from a comet discovered by two astronomers Japanese in 1965, Seky and Ikeya in fact. This, is the sound that is also found in the 8-bit soundtracks of arcade videogames, in those contained in Commodore floppies, and it is the music that everyone would have liked to sweat every day.

Out on October 7th!

Marc Cotterell has been going about his business with great style in recent years. The Plastik People boss leans into the old school soulful house and garage house scenes for his inspiration and updates those foundational samples with plenty of musicality as well as club-ready rhythms. This solo outing kicks off with the impossibly infectious 'Keep Pushing' with its angelic vocal tones and rich piano chords all overflowing with catchy, feel-good vibes. 'If You Still Love Me' has the same irresistibly joyous results, but this time darts about with a touch of US garage swing and some vibrant horns. 'Boogalou' closes with a more knotted, funky bassline. Brilliantly accessible but sophisticated stuff.

Flashbaxx returns to Groovers Traxx with the groove-packed “Birthday Party EP”, a four-track Disco House
journey built for the dancefloor. Blending classic House roots, soulful textures and infectious rhythms, the EP
showcases his most confident and groove-driven sound to date. This is timeless Disco House for late-night
moments and sweaty dancefloors.

Birthday Party EP dives headfirst into the groove, delivering four straight-up feel-good Disco House cuts built for
the dancefloor. Rooted in classic House traditions, the EP showcases his signature blend of groove-heavy
rhythms, soulful textures and infectious energy. The result of a year spent playing live, absorbing new
influences, digging deep in the crates, and sharpening studio craft, this EP captures Flashbaxx at his most
confident and groove-driven.

2026 Repress

The 2nd release by Mad Honey, performed and recorded live to tape. Aside from being a studio project for some time, they have just started touring locally and are currently working on their first album for the label. TIP!

Space Grapes is an independent and artist-run label by Bobby van Putten and Danilo Plessow (MCDE), focusing on the best in contemporary live music.

After 4 years of re-issuing some of the best house and disco, from hard to find deep-house gems to all times classics, Groovin Recordings are really excited to start releasing new music too, featuring some of the best young producers from the new generation. The first release introduces Groove Boys Project (Lucas Moinet and Alexandre Valard), a talented duo from Paris with a unique sound, a classy mix of fender rhodes, jazz chords, MPC based drum beats, soulful strings and some classic synths.
“Studio 937 cuts” is a two tracks EP that show their skills in the best way.
"Never Give Up" is a sophisticated jazzy-house track, composed with Kamasari and GBSiX who wrote the lyrics and the vocal part too. You’ll never get tired of GBSiX’s vocals !
On the B side "Deep In The Blue" is a Fender Rhodes deep-house ballad from Lucas Moinet, for all the Rhodes lovers out there.

Welshman Earl Jeffers, who you may know as Cheesus, has lined up a couple of gems for the Melange label in the early part of this year. This addition to the archives is disco-inspired trip aimed squarely at the floor. 'Jump' kicks off with hulking great kicks, raw chords and twanging guitars that are full of life and soul. 'Intergalactic Jam' is another no-nonsense cut, this time with more low-slung drums, wet hand claps and withering sci-fi synths all providing a foundation for big chord vamps and even bigger vocals.

Now over two decades into its story, DJ Mes' Guesthouse Records imprint continues to serve up floor-friendly heat - fun, groove-driven, party-starting house tracks from a mix of newcomers and label stalwarts. There's much to enjoy on the label's latest vinyl outing, a ninth instalment in the ongoing Super Squirrel Tracks series of compilation style EPs. Dafunkeetomato kicks things off with the swirling, filter-rich disco-house heaviness of 'Can You Dig It', before Frivolous Jackson does a terrific job in beefing up and cutting up disco loops on the DJ Sneak-esque 'Work It Out'. DJ Mes opens side B with the low-slung, P-funk-goes-house excitement of 'Felter', while Wolfgang Gartner goes deep, warped and sub-heavy excellence of 'Dubplate', which boasts more than a nod or two to late noughties fidget house.

TLM033 introduces a new series to Ten Lovers Music, The Coin EP's all with one track either side of a 12".

On the A side we have Cumulative Collective with Suede Bear. Musicians involved in this ever growing project are Roderick Stewart on Bass, Stefano De Santis on Keys, Takashi Nakazato on Percussion, Luke Radford on Sopranino Saxophone and Ayumi Suzuki on Vibraphone. Using musicians from the United Kingdom, Japan and Italy this has a truely international feel to it. The track was produced, arranged and programmed by Steve Conry who also mixed the track along with Stefano De Santis.

Onto side AA and we have Re:Fill with their track Live Vibe. As the name suggests the track was recorded live in Rome, Italy in one take. Re:Fill are Gaetano De Carli on Drums and Stefano De Santis on Keys and they have previously released on Italy's Cognitiva Records. As always Jose Rico takes care of mastering duties keeping that TLM sound.

DISCO REMIXES

Following the passing of our dear friend DJ Romain earlier this year, we've spent a long time reflecting on when to share some of the new music he entrusted to Hard Times Records. The incredible response to 2024’s 'The Lost D.A.T.S.' EPs reignited Romain's creative spark at a time when, unbeknownst to many, he was quietly battling serious ill health. After relocating from his beloved New Jersey to Cleveland, the studio once again became his sanctuary, inspiring a remarkable new chapter of music. The 'New Jersey' and ‘Cleveland’ EPs were the first recordings from that period.

Funky Streets completes the first trio of new EPs, but it is also just a glimpse of the wealth of music Romain crafted before his passing. His final studio sessions became an escape from his daily battles, inspiring a remarkable outpouring of new material that he was determined to finish, knowing his beats would continue to warm dancefloors and further cement the legacy of one of house music's true masters.

Opening with the horn-driven swagger of the title track, the EP moves seamlessly into the soulful groove of 'I Like To Boogie' before culminating in the deep, organ-led dancefloor energy of 'This Is Where I Wanna Be’. Romain signs off with 'The Chocolates’ - an uplifting, guitar-laced boogie jam filled with warmth, joy and unmistakable soul.

Beautifully crafted from beginning to end, Funky Streets stands as a lasting testament to DJ Romain's extraordinary talent, timeless musicality, and enduring contribution to House music. His legacy lives on in every groove.

2026 Repress

Jéroboam drop their debut on Space Grapes. This Parisian funk band, also known as Echoes Of, comes with an extensive live experience and a strong reputation as backing band for Howard Johnson, Junior Giscombe, Kyoto Jazz Massive and others. Recorded in the usual Space Grapes style; fully analog, rough and ready!

2026 Repress

COEO are to Toy Tonics records, what Master at Work were to the House scene of the 1990ies: They bring the Soul into the House. Their new EP Back In The Days' is a 4 track house stomper that could have been made in 1997 by guys like Sneak, Dimitri from Paris or Little Louie. But still the similarities to the new Berlin Sample-House scene around Max Graef and Hodini are evident, too. Already their last years' superhit NATIVE RIDDIM (which is featured as a bonus track on this vinyl) included some heavy jazz samples they found in their parents' bag of soul. Native Riddim has been no.1 in the Traxsource charts for several weeks and was the basis for their already huge following. From Laurent Garnier to Tensnake - the feedback has been awesome. Now they proceed their way of souldful house. Just good taste.

repressed !

Rocco Universal presents four cuts of cosmic machine funk on Cosmic Tiger.

Lovingly recorded using analogue synthesis, the floor-focused music favours feeling over control, with saturated drums, thick bass notes and slow-burning melodies loosely entwined over intuitive arrangements. Shaped patiently amid Rocco’s long-running residency at Potato Head Bali, the tracks meander through cosmic disco, proto-house, electro-funk and psychedelic chug, each finding its place beneath evolving twilight skies.

Rocco Universal is the alter-ego of Patrizio Cavaliere — DJ, producer and journalist serving the roots of music from the space in between. His cultured turntable curation alongside years in conversation with some of the scene’s architects and ambassadors inform freeform productions that have previously arrived on labels including Leng, Soul Clap and Adeen Detroit.

Originally launched as a blog, Cosmic Tiger now surfaces only occasionally through interviews and original releases, operating as a slow-moving but trusted archive of influences, conversations and dancefloor oddities.

Bernardo Pinheiro and Joutro Mundo seek to make a connection between house music and their native Brazilian traditions on this new EP for Banana Gold. Pinheiro brings over two decades of experience and Mundo is the founder of Onda Boa, so these two have serious chops and it shows. 'Viva Liberdade' is a hands-in-the-air piano house tune with Portuguese vocals but a sense of nagging melancholy that adds a distinct edge. 'Salve Salve' is chunky, bubbly and bass house with a lively vibe and 'Eu Amo A Vida' closes with some soft acid and a playful touch of Euro energy. A fine cross-pollination of styles.

Anyone lucky enough to have lived through the 90s will know that Coco Steel & Lovebomb were a key acid house duo who dropped early tunes on Warp and penned a number of underground anthems including 'Feel It'. Now they are back with new tunes on Coco's Disappear label and the remit, stylise, is wide. This EP opens with gentle breaks and dubby undercurrents on 'El Acido,' which has already become a favourite after its digital release. DJ Rocca remixes with a blissed-out energy and 'Our Thing' (named after Coco's new party in Hastings) then taps into a more expressive sound world with new age pads, affirmation vocals and dusty broken beats plus lashings of bass. A dub version of the same tune, named Dub Thing, closes down with aplomb.

Dutch DJ and digger Pete Blaker is ready to unleash his vision of editing and his
ability in song extension. Four cuts that every edit lovers can't miss!

Experience the magic of 'Fly Away,' a timeless record crafted by the exceptional vocal talent of Kimberly Brown, renowned for her work with Sounds of Blackness, Produced by Michael, this track has garnered widespread anticipation and is finally set for a full release on Sultra Records, following exclusive publishing clearance from none other than the legendary Stevie Wonder himself.

This captivating single is just a taste of what's to come from Michael's highly anticipated album, 'Optimism,' slated for release this summer. With its soul-stirring melodies and uplifting lyrics, the single is backed with 'Never Let You Down' another slice of House perfection feat Anthony Poteat and LaMay on vocal duties.

Who is Magou? All we know is that, 2 years ago, Toy Tonics released a 12” EP that created a little buzz on this artist without a face and social media.
The only clue is that Magou is allegedly a mysterious side-project by an otherwise well-known Italian music maker, producer and dj.
Who cares about fame? This one is all about the music, so Toy Tonics is now back with a sassy 2LP release of Magou's full album.

OG 2002 12”s, Produced by Seamus Haji for Big Bang Theory Productions and Eric Kupper courtesy of Hysteria Productions. Seamus Haji and Eric Kupper do no wrong with this track based around a winning sample from Love Committee's 'Just As Long As I Got You'.

Samosa Records brings the heat just in time for the summer months with Volume 3 of the electrifying ‘Earth, Wind & Funk’ series – landing a slick four tracker that will relieve you of your socks and undergarments…

Kicking Vol.3 off is Roberto Telll with ‘It’s Magic’ – an unstoppable, bass driven leviathan of a track with perfectly balanced vocals and groovy, punchy beats. ‘It’s Magic’ straddles that sweet spot of disco flavour expertly infused with a peppery funk spice. Mesmerising.

Track 2 sees the welcome return of label favourites and fellow Italian groove machine Dirtyelements with ‘Get On Down’ (De Gama Re-Groove). The mid-tempo calypso rhythm on this slice of leg-wobbling perfection is outrageously infectious. Dirtyelements has yet another solid, stomping disco builder bursting out of the lab with a mission to cause mayhem.

On Side B, Marco Corona swoops in with his 126bpm sonic torpedo ‘Eat Me!’ From the start, ‘Eat Me!’ drums its way into your subconscious with a powerful bass drum and tribal tinted percussion. Before you know it, you’re over the border into house territory – expertly picked vocal loops and builds make this one insanely irresistible.

Closing out the EP with ‘Hey Jee’ is Italian producer extraordinaire Frank Virgilio. Step into Mr Virgilio’s taxi whilst he whisks you through downtown Manhattan en route to the best night out in town. Soaring strings, slick bass work and nimble beats are the dress code – but, don’t worry, Frank always gets you in.

Raising the Samosa bar yet again, ‘Earth, Wind & Funk Vol. 3’ is a cool antidote for those hot summer nights under the stars – best served with your favourite cocktail.

2026 Repress

We are happy to welcome LA re-edit crew Boogie Down Edits first up is their De La Soul's reworks, re-inventing some of their best-loved hip-hop cuts as party-starting house jams. Wisely, they've chosen to retain many of the key musical ingredients of their source material, subtly shifting the grooves to aid slick mixing and peak-time joy.

We kick off with the loose-limbed hip-house punchiness of 'Saturday’ then move into a more jackin’ bumpy groove on the classic ‘'Me Myself and I'

On the Flip we have a bass heavy Hip House style rework of ‘Buddy’ rounding off the package with a housed up groovy vocoder laden version of ‘ Say No Go’.

A great start from the BDE crew watch out for more..
Limited Vinyl pressing.

Dj Monchan in various forms and facets, re-tweaked for the modern dancefloor. All killer no filler, you can’t go wrong here.

Lecca is back with a new collection of edits, four classic disco cuts for diggers only!

Samosa Records quickly follows up the first volume of Afrikano treats with Volume 2; a veritable melting pot of Afro beats and rhythms packed in to an exceptional four tracker.

Kicking the EP off on the A-side is Vincent Galgo and J’ngolo. This hypnotic Afro sizzler takes full advantage of the effortless bass, congo beats, African horns and (subtle) funky guitar. Add the mesmerising chanting and you have a perfect ‘Bunny Chow’ of a tune that will tantalise the tastebuds for a long time after the music has stopped. Second helpings? Why not?

A2 unleashes ‘Zaire’ by the supremely talented Matalo! Dark and broody beats take centre stage with this one, as you’re slowly enveloped in a ritual you never knew you were part of but now you can’t help sway with the rest of the worshippers. ‘Zaire’ is one of those rare tracks that you feel could create fire if you let it. With sweeping synths, tribal chanting and a detached sense of being, this monster lives under your bed and waits for lights out. Beware!

On the B-side Leslie Lello ups the tempo with ‘Alcyone’. Solid, punchy bass, driving guitar and gorgeous piano riff and vocal combine with a synth lead you absolutely need in your life. The track morphs and transforms into a full-on (almost housey) stomper; nailing its tribal colours to the mast with intent. A real beast of a tune.

Closing this superbly diverse EP is label boss De Gama and ‘E.T.A’. You know De Gama doesn’t mess about. You know De Gama wants to hit you with all he has and with ‘E.T.A’ he unleashes his ‘inner Chief. Indigenous beats pound, roll and build up to a Ramkie guitar infused chorus that’s as joyful, uplifting and inspiring as the dawn itself. A genuine, incredible slice of Afrikano from a master of the genre.

Afrikano Vol. 2 proves once again that Samosa Records know this genre like no other label out there. If this isn’t in your record box on release day, then we simply can’t be friends.

SAMOSA RECORDS EARTH, WIND & FUNK VOL.2 - Pt.1

Samosa Records comes at you with all the elements for Earth, Wind & Funk Vol. 2 – a succulent double slice of vinyl heaven!

On side A1 label favourites Dirty Elements & Drunkdrivers start the party with the knee-slapping treat ‘Koko’. A bouncing bassline and some sweet clavinet keys act as the starters to this trip around the discophere. Lush strings and sassy vocals provide a delicious cherry on top. Mesmerising stuff.

For A2, Macchianera undergoes a De Gama Re-Groove with ‘Gotta Dance’, a deceptive 115bpm chugger that could travel the tracks for an eternity. Deep, groovy bass and soulful vocals combine perfectly in the build-up to the brass-soaked chorus line. Oh, and you know that rhythm guitar is gonna get you.

Side B1 finds Niels F. ‘Trying To Love’ with a little help from some De Gama Re-Drums. ‘Trying To Love’ breaks out into its stride from the off. With an almost ‘2-step’ vibe at the intro, ‘Trying To Love’ nicely builds to a rag time jam of lush strings, smile-inducing brass and a wicked vocal – all applied perfectly and filtered expertly. Let the good times roll!

B2 brings the Afro inspired delights of MP Soundworks and ‘Gotta Get It’. There’s a tribal vibe in the air at this party, a hypnotic runaway train of a track that makes full use of filtered build ups, looped vocal samples and a wicked, wicked bassline. Bouncier than supper-concentrated Zectron.

In Earth, Wind & Funk Vol. 2 Samosa Records has produced a stunning double slab release, featuring a good mix of some of the label’s most prolific artists and some welcome newcomers.

RNT welcomes Manchester upstart Loz Goddard into the fold with his new outing, 'The Drunken Monk EP' on the Reserve imprint. Hot from recent successes on House of Disco and Dirt Crew, young Loz delivers yet again with a 4 tracker of dusty thumpers and jazzy burners, brewed with love and pressed to vinyl the color of a cool pint of ale!

The Toy Tonics crew is known for being addicted to two things: vintage music machines and old vinyl. 100% music aficionados. On the Tonic Edit series the crew shares some of their favorite old tracks - in a reworked version. This time COEO get back in time. They destroyed a couple of 1970ies disco jams. Recut & repasted them. And gave them their special COEO touch. Of course it's irresistible! This release comes on vinyl only first. Later maybe could be out on selected Digital sellers.. not sure yet.

Prunk is taking a journey back to where it all began with 'Footprints'. Over the years, he has become known for many things: the driving force behind PIV, a tastemaker with an ear for exceptional new talent, and a respected figure shaping the future of house music. However, beyond the label, showcases, and the artist development lies the foundation of it all, which is Prunk, the artist. This album is a deeply personal statement and a return to his roots. Stripping away expectations and industry roles, 'Footprints' focuses on what has always been at the heart of his career, which is creating authentic house music driven by soul, groove, and emotion. Across the album, Prunk brings together a unique blend of established legends and the next generation of artists, bridging the past, present, and future of house music. The result is a body of work that honors the sounds and influences that shaped him while continuing to push the genre forward with a fresh perspective. 'Footprints' is a tribute to artistic identity. It reflects the path Prunk has traveled, the people who inspired him along the way, and the musical values that remain unchanged. Every track leaves a mark of who he was, who he is, and where he's headed next.

Adeen Records 009 Make-Up... The Edits comes courtesy of producer and edit maestro Alkalino. The Germany based selector dug deep into his vaults of hard and electro to deliver some of the best sleeper and classic gems.The highlight of side one is easily Breakin' Wind, with other notable bangers such as Bang on it, Stardance and Fly with the wind. One thing about Adeen Records and the Make-Up series is they deliver every time.

repressed !

Die Hemmann-Lasagne ist angerichtet! Mit ordentlich Hack und sonnenreifen Tomaten zwischen den Teigplatten wird dazu auch noch ein üppiger Salat gereicht

A two-way Italian/Mexican stand-off here, as Saint Wax founder Gledd (real name Eduardo Barbi) and Kaninchenbau label chief The Funk District (Fernando Mendoza) deliver their first joint EP since 2022. The latter steps up first with two solo workouts- the Clavinet-splashed nu-disco-goes-bluesy deep house shuffle of 'The River Bends Back' and the Rhodes rich deep house disco of 'Got To Be Alright' - before the duo combine on two collaborative cuts. 'I Said' is a gospel-powered slab of ever-building disco-house hedonism, while 'Down The Middle' is deeper, more bass-heavy and topped off with classic soul vocal samples. Gledd then takes over, following the infectious piano house bounce of 'I Said' with the colourful, acid-flecked excellence of 'Blessin'.

2026 Repress
12" - Fully Authorised Reissue on Original Release Label!

Canadian deep house don Nick Holder's Fruit Loops EP is next to get the remaster and reissue treatment from Definitive Recordings. This label, now overseen by Get Physical Music, first released the EP back in 1995 when Toronto-based Holder had already become one of house music's most tasteful operators. He went on to release over 125 EPs and singles under countless aliases, in various groups, and on his labels DNH Records and Treehouse Records, as well as !K7 Records and NRK. His style spans house, disco loops and minimal Chicago grooves and is always high on immersive atmosphere. Opener 'Dance Dance Dance' brings together all those aspects of the Holder sound with its funky guitar riffs looping beneath raw drums and disco basslines. Classic Chic samples burst out of the mix to bring an air of celebration and party, and it makes for an irresistibly feel-good sound. 'Keep on Running' is a steamy and sweaty house jam with loopy drums and bass and more smartly chosen samples, this time from Roy Ayers, that bring the funk and never let up. It has long been a go-to anthem for house DJs, and the realness and rawness of the emotions in Holder's work also shine through with the filtered synths and jazzy keys of 'The Message of Love', which is complete with bumpy and irresistible drums. Last of all is the unfettered party spirit and diva vocals of the brilliantly lo-fi funk-house pumper that is 'Clap Ya Hands'. This EP hasn't aged one bit and remains a definitive piece of early Deep House history.

Renowned for his masterful reworks, Dr Packer delivers another essential disco floor-filler, breathing new life into T-Connection’s 1979 classic Saturday Night. Having previously tackled the group’s iconic At Midnight, Dr Packer now turns his expert touch to this funk-driven gem, injecting it with his signature modern disco magic.

The Dr Packer Extended Mix is a high-energy update tailored for today’s dance floors, driven by a wicked rolling bassline. With an ear for detail, Dr Packer teases out Chic-like scratch guitars, soaring strings, and punchy horn stabs, creating an electrifying groove that pays homage to the original while delivering undeniable up to date appeal.

On the flip side, the Dr Packer Dubstrumental Mix strips back the vocals, allowing the rhythm section to take center stage. Packed with pure club energy, this version delivers with bass, beats, and funk-fueled fire—perfect for DJs and dancefloor devotees alike.

Get ready to turn up the volume, Saturday Night is back, and it’s bigger than ever!